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REZOORTS

Historical evidence reveals that all great civilizations had animal collections. In the 21st century, zoos have become major tourist resorts.

Geographically situated in cities where tourism or holidays represent the greater part of local activity, they are managed by solid business groups, usually private, with significant economic investments and a lucrative intentionality based on the capitalist model.

Designed as theme parks, the venues have a set of attractions and spaces designed for leisure, entertainment and activities related to hospitality and shopping. As a «Family entertainments centers» and with a clearly defined storyline that inspires them; the exotic and endangered animals attract a massive population of children and young people eager to know and live first-person experiences with such precious examples.

The animals are exhibited in artificial landscapes and environments that recreate the natural habitat of each species, some of the most typical of the film industry, which are located in the antipodes of the real that are denied them with captivity.

Year: 2016 – 2019

La evidencia histórica revela que todas las grandes civilizaciones mantuvieron colecciones de animales. En el siglo XXI,  los zoológicos se han convertido en grandes estaciones turísticas.

Situados geográficamente en ciudades donde el turismo o las vacaciones representan la mayor parte de la actividad local, son gestionados por sólidos grupos empresariales, generalmente de carácter privado, con una intencionalidad lucrativa que funciona en base al modelo capitalista.

Diseñados como parques temáticos a modo de «family entertainments centers» y con una línea argumental claramente definida que les sirve de inspiración; los animales exóticos y en peligro de extinción, atraen de forma masiva a un público infantil ávido de conocer tan preciados ejemplares.

Los animales se exhiben mimetizados en paisajes artificiales y ambientes que recrean el hábitat natural de cada especie, unos decorados más propios de la industria del cine, que se sitúan en las antípodas del verdadero que se les niega con el cautiverio.

Año: 2016 – 2019

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